Exhibitions

HOMAGE TO HUMANITY COMPANION APP

As a visual artist, Jimmy aspires to capture the wealth and authenticity of indigenous peoples, before it is lost forever. His intentions are honourable, but this personal vision has become a catalyst for contemporary debate.  Jimmy's investigates the fine balance between art, engagement, and commerce and this will be discussed together with Orwa Nyrabia and Mineke Schippers. We herewith invite you all to join the conversation in De Balie, based in Amsterdam, on the 29th of January 2020.  

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About Orwa Nyrabia

1977, Orwa Nyrabia is the Artistic Director of the International Documentary Film Festival Amsterdam. He was born in Syria where he worked as an actor and as a journalist, before starting up the first independent documentary-specialized production company in the country, in 2002, together with his partner Diana el Jeiroudi. Later on, in 2008, Nyrabia and El Jeiroudi co-founded the independent documentary film festival DOX BOX, which quickly became the Arab region’s leading documentary festival. Nyrabia moved to Egypt in 2012, then to Germany in 2013, where he continued producing award-winning international co-productions such as Dolls, A Woman from Damascus (IDFA 2007), Return to Homs (IDFA 2013 and Sundance 2014) and Silvered Water (Cannes 2014). Nyrabia tutored many up and coming filmmakers from around the world and served as juror for some of the world’s most influential film funds and festivals. He is a member of AMPAS, IDA, EDN. His films earned a long list of awards including a Sundance Grand Jury award and a Grierson Award and his work earned him accolades such as the George Polk Award, the Nestor Almendros Award and the Katrin Cartlidge Award. His work has been highlighted by media outlets such as 60 Minutes, NYT, WP, Le Monde

About Mineke Schippers

Mineke Schipper (née Wilhelmina Janneke Josepha de Leeuw; born 6 December 1938 in Polsbroek) is a Dutch author of non-fiction and fiction. As a scholar, she is best known for her work on comparative literature mythologies and intercultural studies.

Thanks to her critical global perspective, Schipper has given an important impulse to the field of intercultural literary studies. Making her views accessible to both academic and non-academic audiences, she lectures not only at universities and scientific institutes (Berkeley, Beijing, Pretoria. Stockholm), but also to audiences outside the academy, such as policymakers in The Hague or Brussels. She has also addressed a thousand rural women in the Amsterdam RAI congress centre; Jewish women in a synagogue in Leiden; a Muslim audience in a mosque in Nairobi; Egyptian folklorists in Cairo; Cultural Institutes from Curaçao to Cambodia.

 

BEAUTY AND RISKS OF PHOTOGRAPHY AND FILM